for touring schedule, upcoming appearances and more information, see http://www.korepress.org/Powderstage.htm
“Coming in Hot” is military lingo for arriving with guns blazing. The play, adapted for the stage by Shannon Cain, Lisa Bowden, and Jeanmarie Simpson is based on the book Powder: Writing by Women in the Ranks, From
“A stage adaptation of Powder interests me deeply as a mother with a son who is about to be deployed for the second time, as a grandmother, and as a peace activist for 25 years,” says Simpson. “As an artist, the material cries out to be performed.”
Simpson, accomplished actress with 37 years’ experience on the stage, will perform all characters in the play. After the show, audiences will be invited to participate in a recorded open discussion about the complex issues raised in the play.
“I approach a solo performance of Powder with more than a little trepidation and humility, knowing I will be channeling the voices of women who have literally been in the trenches and lived to tell the tale,” says Simpson. “It is in their honor, and in the honor of those who haven’t survived either end of the gun that I do this work.”
For more information about the performances, contact Kore Press at (520)-327-2127 or kore@korepress.org.
More About Coming in Hot
The creative collaborative for Coming in Hot: Lisa Bowden (director, producer, writer), Vicki Brown (sound artist/musician), Shannon Cain (writer), Jamie A. Lee (filmmaker), Kaylene Torregrossa (production manager), Jeanmarie Simpson (actor/writer), Beth Weinstein (set & light design).
These women in these stories have seen conflicts from
What people are saying:
Why is there no national debate on the fact that women are subject to institutional discrimination in the US Military? Nowhere else in this country are women so blatantly prohibited from certain jobs solely on the basis of gender. The American public should know what military women have achieved, what they have gone through, and what issues they face. —Powder contributor
American military history as it hasn’t been glimpsed before—through the eyes of creative women who have served.—Sara Corbett, The New York Times Magazine
While soldier stories hold a hallowed place in media and literature, the voices of the women who serve are often subdued or drowned out altogether[...] [This] is an insider's look at what it's really like to be a servicewoman. —Andrea Millar, Curve magazine
The writings here are rich . . . the authors are sharp thinkers and strong soldiers; they are also tired, angry, & conflicted.—Bitch magazine
"Coming in Hot is a stunning collection of stories told in an array of voices, each with its own unique perspective on the topic of war. The stories—emotional, thoughtful and compelling—would be impressive in any context, but are made even more so by the fact that they come from those long-overlooked heroes—the women of the American military. In that vein, I think you should run to see this show; not simply because you'd enjoy it, but because it's your duty."—Jeremy Cole, Director and Amnesty International Activist,
Women soldiers are a complex subject; these explorations can only broaden the conversation and deepen our understanding.—Peggy Bailey Doogan, painter,
About Kore Press
Kore Press is a non-profit literary arts organization in
Terrific to see a new blog for 'Coming In Hot." Looking forward to reading comments. The issues explored in the book and play are complex and tend to strike deep chords. Not for sissies.
ReplyDeleteTerrific write up for an important piece of work.
ReplyDeleteOne factual quibble: Jeanmarie has been acting on the stage for more than 30 years (incredible, no?), and not for the merely impressive 'more than 20 years' that you report.
-Dan
GREAT rehearsal today - Lisa, my sublime director was there, of course, but also Shannon, our piece de resistance. Having a director who isn't at all encumbered by the trappings of theatre traditions and a co-adaptor editor who is universe-class makes my job SO much easier. The material is like a deep cushion resting under a bloodied soul. It is so EASY to act writing of this caliber! Am I lucky, or WHAT?!!
ReplyDeleteWonderful week of rehearsals - Vicki is back from Italy and we have the soundscape mapped out for the first Act. She will conjure all manner of magical, transcendent auditoriness that will elevate the work. Beth's imagery and her eye for all things aesthetic feed the process every time she's with us. I'm going to miss her when she takes off for Australia! Really loving this remarkable project and the team of remarkable women who are making it happen. Glory BE!
ReplyDeleteIncredible rehearsal last night. Working with Lisa, Vicki and Kaylene, we found a dynamic for the show's ultimate crescendo that's gonna knock everybody's SOCKS off.
ReplyDeleteIn the home stretch. The challenge accelerates...
ReplyDeleteTonight we open. I'm ready.
ReplyDeleteI came to this play expecting propaganda, but instead found truth, pure and simplistic and beautiful. As a veteran who has been to both theatres of operation, it was not an easy transition back into normalcy. In part, this is because we will never be "normal" again. It changes you in very profound ways. I don't speak much about my experiences. They are tucked away in a box, and every attempt is made to keep them there. This play gave a voice to all of the experiences and feelings in that box. It is a true gift.
ReplyDeleteJamie, thank you for writing this. You're the reason we do this. Lots of love to you.
ReplyDeleteJeanmarie
jamie--- thank you for your words and honesty. I am so heartened that the play has touched you in this way---just what we intended. to walk a fine line and hold all those truths at once. carry that for you and others for awhile. to say "yes" to them.
ReplyDeleteI brought friends to this performance who knew not what to expect. But I did. Not because I read "Powder", but because I know how Kore Press gets involved: with both feet!
ReplyDeleteJeanmarie's performance of humanity's wide spectrum of experience seen and felt through the hearts and hands of women in the trenches touched and humbled me and my friends. All elements solid on their own, together a seamless orchestra of lights, electric violin, sounds of faraway scapes, deft acting, authentic voice and rich words. Words conveyed with a high level of artistry and grace. Words we should all hear.
COMING IN HOT was amazing, Lisa! I applaud your vision, dedication, and brilliance. I loved the diversity of vignettes AND the connectedness of the vignettes. I loved the emotional progression of the vignettes and how the inevitable scenes -- the body on the table, the rape scene -- were treated with a tact that didn't diminish the gravity of the moment. And the minimalism -- the set, the lights, the music, the one-woman show -- worked like the best minimalism does: through the starkness and singleness a paradoxical largeness, an expansiveness, was achieved. A great experience! I keep reflecting on how frustrating and sad and ultimately terrifying it is that despite our many advances toward a more equal society women still face such primitive injustices -- which is further testimony to the importance of your work.
ReplyDeleteAll best,
Chris Nelson
That's great, Chris. I think that's what it's about - illuminating those injustices and ALL of the perspectives presented by the women of 'Coming In Hot.'
ReplyDeleteA week after the performance, I keep thinking about those projected images: the vintage newsreel footage of women marching,the armed Israeli woman patrolling the desert. They were images that maybe once appealed to us, tapped into our psyches – women doing something as orderly as synchronized swimming or as heroic as Harriet Tubman. And later, the ashy silhouettes in the sand, inevitable collision of abstractions and reality.
ReplyDeleteAgainst that dark, dreamy backdrop, Jeanmarie brought us women who were alive, fully present, recognizable. I loved each one of them. Loved the textures that cloaked their narratives – the music of the marketplace, the roar of jet engines, the requiems. Loved how each of them came forward on that stage to bear witness.
Lisa, Shannon, Jeanmarie, Vicki – thank you for your works of adaptation and performance, delivered to us through craft, with enormous heart and intelligence.
Deborah Fries
Thank you, Deborah. I wonder if you can know what and how much your reflections mean to us. Lots of love. jm
ReplyDeleteWithout a moment's doubt that this project would be nothing short of wonderful, I hopped a plane to Tucson to experience it firsthand.
ReplyDeleteI was not disappointed.
The stage was simple and honest... a perfect backdrop to allow brilliant acting and music to breathe life into such poignant words written by amazing women.
Women, dramatically different from one another in many ways but united by a common thread - each portrayed with her own voice, with genuine and loving truth. No matter the political views or biases one may bring into the theatre, truth is beautiful and moving.
As is Coming In Hot.
thank you C, for making the trip!
ReplyDeleteI am jazzed about getting back into rehearsals today!
ReplyDelete